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2023-2024 Colloquium Series

Archipelagic Avant-garde: Imaginations of Tourism, Art, and Politics in the Matsu Islands

Chris Cristóbal Chan
PhD Candidate, Anthropology
University of California, Berkeley

Friday, March 22nd, 5PM-7PM PDT

Hybrid Presentation
In Person:
Gifford Room, 221 Anthropology and Art Practice Bldg. University of California, Berkeley
On Zoom: [click here

Please join us for dinner and further conversation at Great China Restaurant at 7:15pm. RSVP to graburn@berkeley.edu for dinner

*There is no password needed to join this meeting. However, please ensure that you are logged into your Zoom account before clicking on the meeting link.

Abstract
The Matsu Islands lie at the front lines of a precariously fluid border in the Taiwan Strait, where the idea of war exists today in a doubled sense: suspended between traumatic memories of twentieth-century Chinese Civil War and the anxious anticipations of a potential future conflict. Yet, the islands are also a cultural battleground over imaginations of the future, where competing aesthetics and cultural productions (such as the recent “Matsu Biennial”) increasingly give form to new constructed imaginations of security and precarity in conjunction with anticipations of war and peace. The transition of the militarized islands into touristic islands have thus gone hand in hand with the mobilization of artists in lieu of soldiers on the archipelagic front line.

During the COVID-19 pandemic, Taiwan (ROC) maintained a strict lockdown of its borders, and as a result Taiwanese tourists who would otherwise be visiting popular foreign countries such as Japan and Thailand had no choice but to explore the exotic from within Taiwanese territories. At the same time, Taiwan’s most peripheral Matsu Islands off the coast of China had been preparing for imaginary Chinese tourists who could no longer enter across Taiwanese borders. The predicament brought about by the border restrictions resulted in a curious mismatch of imagined Chinese tourists and imagining Taiwanese tourists on the islands of Matsu, which was hosting its inaugural Matsu Biennial “art island” transformation in 2022. Based on ethnographic fieldwork between 2022-2023, I examine the intersections of border island tourism with imaginations of both local islanders and visiting artists making contemporary art for touristic consumption on the “front lines” (Szonyi 2008) of maritime border in the Taiwan Strait. I suggest that the imagination of touristic representations is not simply enacted by tourism authorities and tourists; instead, it is mediated by the imaginations of artists, the creators of art objects for touristic consumption, and inflected by their fictional re-imaginations of past and future made real.

Speaker Bio
Chris Cristóbal Chan is an Anthropology PhD candidate at the University of California, Berkeley and former Fulbright-Hays DDRA Fellow based at Academia Sinica, Taiwan. His research involves imaginations of sovereignty as it is (re)mediated through making art and remaking environments. Through a multi-sited ethnography across various field sites off the coast of China, his research follows a series of seafaring artists who are involved in site-specific work on border islands situated at China’s pelagic peripheries and examines how their mobility and mobilization by the state make manifest a greater concern with living-with or contending with future crisis. The role that artists and the environment play together in crafting culture in crisis becomes a lens through which the contemporary problem of China (as both a real entity in the world as well as a real notion that inflects how we live in and see the world) can be studied as an anthropological question. His research has also been the recipient of the Social Science Research Council International Research Fellowship as well as the Wenner-Gren Dissertation Fieldwork Grant.

Discussant
Li-Ying Hung graduated from National Taiwan University with a BA degree in Anthropology. She is interested in tourism, economic anthropology, crossing national borders, and social media. For her honors thesis research, she has carried out fieldwork in Quemoy (Kinmen), a Taiwanese island close to Xiamen (Amoy) on the PRC mainland. During her visiting at UC Berkeley in 2022, as she learned more about tourism anthropology, she also completed an essay on pseudo-travelling-abroad under the context of COVID-19 and the presentation on social media and presented it on TSWG. Currently, she works in the technology industry with the love of interacting with people from different backgrounds.

 
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